
16 Scales – Free Max for Live MIDI Effect
Push allows you to simply switch between scales, even exotic ones. If you don’t have one, but still want to use this functionality, then you should try the Max for Live MIDI effect “16 Scales”.

Push allows you to simply switch between scales, even exotic ones. If you don’t have one, but still want to use this functionality, then you should try the Max for Live MIDI effect “16 Scales”.

Tom Cosm doesn’t really need an introduction anymore in the Ableton community. He seems to have gotten into Max for Live lately and has created a free device that allows you to toggle the routing of tracks.

Did it ever happen that you played something amazing, but you didn’t record it? Retake, by denleschae, is a Max for Live plugin that lets you “recover” your ideas.

Christian Kleine, Max for Live developer at Ableton, analogue synth lover and musician has just released his new album called “Shipbuilding”. It only makes sense that it comes bundled with a Max for Live synth called “Tide”. Both “Shipbuilding” and

What if you could control any parameter in Ableton Live with just one knob or slider? You can with the free Max for Live plug-in ONE by Yehezkel Raz.

Cycling ’74 continue their video tutorial series “Using Max for Live Devices”. This time they provide 3 videos all dedicated to the improved Buffer Shuffler in Live 9.

Now that Max for Live is part of the Live 9 Suite, more and more users will have it. If you’re one of them and want to start programming with it, there are a few video tutorial series that are

Matthew Davidson, better known as Stretta, has created a suite of 10 Max for Live devices for Live 9 containing 3 audio and MIDI effects each as well 4 MIDI instruments. He calls them ‘Live 9 Inspiration Tools’.

A few days ago I came across this video on Create Digital Motion and thought I should share it here with you. It showcases brilliantly how huge the possibilities are with Ableton Live in conjunction with Max for Live.

The combination of Ableton Live and Max for Live offers very interesting solutions for sound installations, e.g. triggered audio events. In this post, I’ll introduce you to two devices that allow you to time certain events making them both perfect

Eric Ameres, also known as Erasermice in the Max for Live community, has made a pretty detailed video tutorial on building a tempo synced Arpeggiator.

K-Devices have released their newest Max for Live device. It’s called Shaper, it’s great for audio destruction, it’s for Live 9 only and it’s free until the end of March.
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