Did you ever want the possibility to detach the Session View mixer in Live so you don’t have to toggle between the views anymore? Well, you can now, provided you also have Max for Live.
For all fans of Dubstep Part 6 of the series “Programming in Max for Live” by Cycling ’74 is likely to be particularly interesting. In the videos we learn how to program a Wobble Bass Synth. Starting with the oscillator,
LiveGrabber is a series of Max For Live plugins that can send information of device parameters, track parameters, clip envelopes and audio analysis of Ableton Live to any device on the network that supports Open Sound Control (OSC). With the
In Part 5 of the series “Programming in Max for Live” by Cycling ’74 it’s all about MIDI for the first time. In it we learn how to program a step sequencer that is synchronised with Live’s transport and sequenced
K-Devices, a French company developing Max For Live devices, has recently released Drumk 2. It’s the update of their Max For Live device that allows for glitchy beat-oriented sample manipulation. As the name suggests, you can manipulate drum loops with it,
Now that we’ve learned how to program a simple delay, Part 4 of the series “Programming in Max for Live” by Cycling ’74 takes it one step further. It shows us how we ourselves can build a dub delay along
In Part 3 of the series “Programming in Max for Live” by Cycling ’74, we learn from the effects that we have programmed ourselves in Part 2 how we can customise the user interface. The colour modification of all elements
After the introduction of the video series “Programming in Max for Live” by Cycling ’74, it goes straight to the point in Part 2. It shows how you can program three simple audio effects in Max for Live: an Audio
Fabrizio Poce, musician and programmer has created a set of 7 Max for Live devices based on xy pad-style morphing. One of the devices in the Morph family, MorphJ is a freeware plugin that allows you to morph (control simultaneoulsy)
For owners of Max for Live, there are some great Max for Live devices out there. ‘Sufi’ by Beyond Digital is quite different from most though. All seven included devices explore North-African sounds and scales. As with most Max for
Max for Live, the visual programming software from Cycling ’74 built into Ableton Live, is not an easy thing to learn. The guys from Cycling have now created a fantastic and very comprehensive series of video tutorials.
If you’ve been using Live for a couple years already and ever needed technical support, you’ve most likely dealt with Christian Kleine. He was the first guy giving user’s support for Live and has since become Max for Live developer
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