A while ago I experimented with a Buchla Music Easel. I tend to always press record, in case something good comes out of it. This time the result includes a little three-part series of Live Packs for you. “EaselWeasel 2”
Ever had the need for very long, slowly fading delays? None of the delays in Live offers this possibility. Dela Long Delay is tempo synced with delay times from 1/4 notes to 16 bars. It’s free, and requires Live 9
You might be familiar with Nico Starke’s “ML-185 Stage Controlled Sequencer”. Now there’s an updated version of it available for free. The most notable change in the MK16-185 Sequencer are the 16 steps instead of 8, an often requested feature.
Today Ableton Live 9 turned 2. While the Live 9.2 beta brings some much wanted features like latency compensation, there’s still plenty of functions Live doesn’t offer. Here are the features I personally would really love to see implemented.
A while ago I experimented with a Buchla Music Easel. I tend to always press record, in case something good comes out of it. This time the result includes a little three-part series of Live Packs for you. In celebration
Salami Division by skinnerbox is for all of you who like slicing to MIDI, but would like more extensive features. The Max for Live MIDI effect adds things like sample-hotswap and a dynamic slice number. And if you use Push
Did you know that you can lock automation envelopes to the song position? This can be useful when you want to replace a clip in the arrangement, but retain the various automations in this part. Here’s how it works:
Alias Clips is a Max for Live device that brings the functionality of what are commonly called “alias clips, ghost clips, mirroring” etc. to Ableton Live. It can be a real timesaver when you’re working with plenty of small MIDI
We’ve all come across videos in which someone creates a track on the fly against the clock. First it was an hour, then increasingly less time. And quite frankly, most of them are more like sketches or demos, unfinished and
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