By now there are quite a few remote control devices available for all kinds of hardware synths and drum machines. The ones listed here are all free and built with Max for Live. They all require Live 9 and Max
While this isn’t technically a new Max for Live effect, it’s a great example of people collaborating to make something even better. The original effect is part of the free Max for Live devices from Ableton and is meant to
I don’t know about you, but I make good use of Live’s only visual mixing aid Spectrum. I always have one on the master. Here are three further visual mixing tools made with Max for Live that can be of
This time, I’ve got two interesting Max for Live for Push devices to tell you about. Both ‘Push Speed Dial’ & ‘Push Snap n Scale’ enhance the features of Ableton Push in exciting new ways for both studio and stage.
While Ableton has added the option to have Live open in two windows a while back, this only really helps when you have a dual monitor setup. EraserMice went one step further with his Max for Live Pack ProSession which
If you ever wanted to be able to step sequence any parameter in Live, have a look at StepOne. If it looks familiar, that’s because it is based on the Arp One by Max for Cats as well as some
With the help of MIDI controllers you can change a parameter really quickly, but if you would like to omit certain values? This is where the Max for Live MIDI effect Value Blocker by J Garcia comes in handy.
This new and also free Max for Live device by Tom Cosm does exactly what its names indicates. It allows you to display two waveforms at the same time. Something, a lot of people DJing with Ableton Live have always
Christian Kleine, a.k.a. Max for Cats, has been busy. After the Max for Live modular synth OSCiLLOT, he’s already finished two unique and creative delays now out on Sonic Bloom. Skram Delay and Stochastic Delay both take a fresh approach
Ever had the need for very long, slowly fading delays? None of the delays in Live offers this possibility. Dela Long Delay is tempo synced with delay times from 1/4 notes to 16 bars. It’s free, and requires Live 9
You might be familiar with Nico Starke’s “ML-185 Stage Controlled Sequencer”. Now there’s an updated version of it available for free. The most notable change in the MK16-185 Sequencer are the 16 steps instead of 8, an often requested feature.
Salami Division by skinnerbox is for all of you who like slicing to MIDI, but would like more extensive features. The Max for Live MIDI effect adds things like sample-hotswap and a dynamic slice number. And if you use Push
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Features 25 powerful mid/side audio effect racks for Ableton Live, each with 10 variations — from precise control in mixing and mastering to exploring new creative territory.
