Last night screenshots from Ableton Live 9.5 made the rounds and according to Joshua Casper’s sources they’re actually true. I wanted to confirm this for myself though and found photos of Ableton Push 2 on Amazon Germany. It’s all true.
Halloween is just around the corner and I’ve got a fitting Live Pack for you. It’s called “Spine Chilling” and contains 16 select sounds from my sound library. Squeaky doors, breaths, creaks, eerie machine sounds, thunder. The works.
If you’re looking for a quick way to colourise clips in Ableton Live, have a look at the Max for Live device Colorizer. Drop it anywhere in your Live Set, set the colour of your track and activate it. Any
Hard to believe, but Sonic Bloom already turns 3 today. A big thank you to everyone who’s been following this blog, registered or got one of my courses or Max for Live Packs by Max for Cats. Thanks as well
The Starter Kit 2 PeRColate by Maxology gives you the possiblity to explore the new physical modeling capabilities in Max 7. The PeRColate objects stem from the Synthesis Toolkit by Perry R. Cook and Gary Scavone, including physical modeling, modal,
This episode of the Ableton Live Quick Tips brings you another workflow tip in the form of a shortcut. This time I will show how you can quickly reset device parameters to their default value. This can be extremely handy
The Swooshes Live Pack is based on 31 sounds made from belts, rope, sticks and wire being swung around to create various swoosh sounds. A Drum Rack as well as a fully macro mapped Instrument Rack with added reverb and
A Max for Live user has created a huge collection of Ableton Live presets for the Max for Live instrument Opfour by Katsuhiro Chiba, a fantastic emulation of the classic FM synth TX81Z from Yamaha. It contains a total of
Sonic Bloom is nearing it’s third anniversary and I’ve been pretty much working non-stop. Now that I’m here on Mauritius for three months, I’m realising the toll it’s taken. So I will take some time off to be back refreshed
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