So… I’ve been creating five new themes (fka skins) for Ableton Live 10 for you. Some lighter, some darker, some with only some sprinkles of colour amidst the greys, others with tinted greys. Hopefully at least one that fits your
No matter how many feature wishes Ableton will grant us in updates und upgrades, there will always be things we wish we could also do. And this is exactly, where Max for Live or better developers come in to play.
In this tutorial in the Ableton Live Quick Tips video series, I’m showing you how you can access the mixer modulation envelopes – volume, panning and the send modulations. This one should be particularly interesting for anyone who works quite
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Prompts or constraints to foster creativity.
After I’d published my article about the different resampling methods in Ableton Live, I was asked over and over if I could share some examples of how I use resampling creatively in my own music. It took me quite some
This time I selected three free Max for Live devices from the latest releases on maxforlive.com that can be very useful for live performances. Of course, they may also come in handy in your music productions, but in my opinion, they
Now that I’ve updated all relevant tutorials to Live 10, I’m back with the Ableton Live Quick Tips series. This time, I’ve got a little tip that can be useful for your workflow, but isn’t documented in the Live manual.
Here are 3 free very useful Max for Live devices for easy mix referencing, flexible routing and generating patterns.
I’ve been thinking of creating a live performance setup for electronic clubs that integrates VJing with live jamming for a long while. I’ve always also worked with visual art and I make my own music videos, so this seemed like
While doing technical support for Ableton, I encountered a lot of users who’d wanted to have their own folder structure in Live Projects. Most of them simply moved around files in the Windows Explorer or Mac’s Finder to achieve this. This approach,
You might be aware that Christian Kleine aka Max for Cats is into vintage hardware synths. He’s also very much interested in old hardware effects and has a nice collection. He’s now used his knowledge and skills to create a
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