Live Pong & Push Pong – Free Generative Max for Live MIDI Effects

Live Pong und Push Pong are generative Max for Live sequencers inspired by Batuhan Bozkurt’s excellent Otomata Generative Musical Sequencer. By clicking in the square area when Live is running, cells are generated which will create notes whenever they reach

MashUP – Free Max for Live Audio Effect by Ned Rush

MashUP, by Ned Rush, is a chance based sound editor for beat based edits, mangles and mashups. Drop in a loop, move the sliders, record what it does and then choose the best parts for your tracks. This could be

Architect – Free Max for Live Envelope Generator

Architect is a Max for Live envelope generator for the creation of complex automation curves in Ableton Live. The envelope can be mapped to any parameter and triggered via MIDI (Standard) or manually.

Megaloop – Free Max for Live MIDI Effect for Clip Mashing

Megaloop is a Max for Live MIDI effect made for mashing up clips in Live’s Session View. It features 8 different sequences each with their own set of parameters, as well as clip gain and transposition control for each targeted

TapeStop – Free Max for Live Audio Effect

TapeStop does exactly what the name promises. It’s a Max for Live tape stop effect. You can set up and down time separately. Either in time or in beats. Then hit the TapeStop button (even repeatedly – try it, it’s

Max for Live Audio Effect jo.PitchShift

jo.PitchShift is a pitch shifter, which is based on the Max internal gizmo object. You can change the pitch of any audio signal within a range of four octaves in either mono (less CPU) or stereo.

Automation Fun with Max for Live Effect AutoDial XY

AutoDial_XY, a Max for Live MIDI effect, a re-edition of “directautomatiz” from dric, allows for temporary automation in an XY pad without envelopes in Live. You can record automation for a length of between 1 and 16 bars.

Max for Live Audio Effect jo.Spectral Morph

jo.Spectral Morph is a free Max for Live audio effect which is based on an FFT filter bank. Especially with its randomisable features, it’s lots of fun to use and can be great to make a repetitive part sound more

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