Free Max for Live Instrument “Whitebox Pixiphone”
Whitebox Synth Makers has created a new ambient Max for Live instrument, the Pixiphone.
Free Elevator Live Pack – Elevator Beats & Percussion (No. 10)
Here’s another free Live Pack created with samples from my sound library. This one contains a fully macro mapped Drum Rack with all kinds of sounds from elevators. It works in Live 8 and 9 and is good for creating
Mapping Clip Parameters for Breaks/Glitch: Transpose
In this tutorial I show you how to map a clip’s Transpose parameter for breaks, glitchy effects or more.
Max for Live “Clip Loop Monitor” – Current Play Position of Clips at a Glance
In a live performance situation you might want to see the play position of your session view clips to know when to start the next scene or clip. The track status in Live might be too small to use as
Mapping Clip Parameters for Breaks/Glitch in Ableton Live
This tutorial is about mapping clip parameters and the fun things you can with it with beats, melodies and chords.
Free “Skinned Synth” Live Pack (No. 9)
Some years ago I got to play the Skinstrument II that uses our skin’s resistance to generate sound whenever the circuit is closed by touching the instrument and each other. Back then I also recorded it and now created a
Ableton Live + Max for Live + Isotonik + APC40 = DJ App
Live wasn’t created for DJing, yet a lot of people use it for exactly that. And it makes sense to only buy one software to produce and also DJ with. Less money to spend, only one app to learn. Isotonik
LIVKONTROL – TouchScreen Controller for iOS & Android
There are quite a few touchscreen controller apps available for iPhone and iPad, even if you only count the ones dedicated to controlling Ableton Live. Not so on the Android app market. LivKontrol is the only controller for Live that
How to use the “24 Scale Presets”
In March I released “24 Scale Presets” that aim to help you stay in key. I’ve gotten some emails from people asking how they differ from the included Scale presets in Live and how to use them. So here’s a
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