Free Max for Live Effect “Transient Designer”
Transient are high amplitude, short sounds in waveforms, most notable in percussive sounds. The Max for Live audio effect “Transient Designer” lets you shape the transients of your audio signal by tweaking the parameters of attack and release.
Ableton Live Quick Tips – Create Scenes Faster (Video Tutorial)
I’m back with an “Ableton Live Quick Tips” tutorial that shows you two ways to create Scenes faster. Both come in handy e.g. when building a live performance set from scratch.
Free Max for Live Instrument “Whitebox Pixiphone”
Whitebox Synth Makers has created a new ambient Max for Live instrument, the Pixiphone.
Free Elevator Live Pack – Elevator Beats & Percussion (No. 10)
Here’s another free Live Pack created with samples from my sound library. This one contains a fully macro mapped Drum Rack with all kinds of sounds from elevators. It works in Live 8 and 9 and is good for creating
Ableton Live Insider Tips – Mapping Clip Parameters for Breaks/Glitch: Transpose (Video Tutorial)
This tutorial of my series “Ableton Live Insider Tips” is an sequel to the previous one. This time we take it a step further by additionally mapping Transpose for even cooler glitch effects.
Max for Live “Clip Loop Monitor” – Current Play Position of Clips at a Glance
In a live performance situation you might want to see the play position of your session view clips to know when to start the next scene or clip. The track status in Live might be too small to use as
Ableton Live Insider Tips – Mapping Clip Parameters for Breaks/Glitch (Video Tutorial)
Here comes another tutorial in the ‘Ableton Live Insider Tips’ series. This time it’s about mapping clip parameters, its perks and the fun things you can with it together with beats, melodies and chords. This can be great for glitchy
Free “Skinned Synth” Live Pack (No. 9)
Some years ago I got to play the Skinstrument II that uses our skin’s resistance to generate sound whenever the circuit is closed by touching the instrument and each other. Back then I also recorded it and now created a
Ableton Live + Max for Live + Isotonik + APC40 = DJ App
Live wasn’t created for DJing, yet a lot of people use it for exactly that. And it makes sense to only buy one software to produce and also DJ with. Less money to spend, only one app to learn. Isotonik
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