This Max for Live effect is something for everyone who always wanted to use OSC directly in Live. To turn your smart phone or tablet into a versatile controller.
This tutorial is part two of a new mini series about the Default Presets in Ableton Live and how they can improve your workflow. It deals with the default presets for audio and MIDI tracks.
If you ever wanted to humanise MIDI clips on the fly, check out Group Harmonizer by James Holden. It’s a pack of Max for Live MIDI effects that allows to affect the timing of multiple MIDI tracks at once.
This tutorial is part one of a new mini series about the Default Presets in Ableton Live and how they can improve your workflow. It deals with the default presets for instruments, audio effects and MIDI effects.
Polyrhythmus is a Max for Live rhythm sequencer, arpeggio builder as well as a MIDI CC and parameter automator. If you’re into polyrhythms or arpeggios, this one’s quite a treat. It looks great, too and despite all this is free.
Live Pong und Push Pong are generative Max for Live sequencers inspired by Batuhan Bozkurt’s excellent Otomata Generative Musical Sequencer. By clicking in the square area when Live is running, cells are generated which will create notes whenever they reach
Architect is a Max for Live envelope generator for the creation of complex automation curves in Ableton Live. The envelope can be mapped to any parameter and triggered via MIDI (Standard) or manually.
Megaloop is a Max for Live MIDI effect made for mashing up clips in Live’s Session View. It features 8 different sequences each with their own set of parameters, as well as clip gain and transposition control for each targeted
By popular demand Christian Kleine a.k.a. Max for Cats has created a new Max for Live MIDI effect that is modelled after the chord memory function as featured in certain vintage synths. It’s called Chord Transposer – the One-Finger-Chord-Wonder and
AutoDial_XY, a Max for Live MIDI effect, a re-edition of “directautomatiz” from dric, allows for temporary automation in an XY pad without envelopes in Live. You can record automation for a length of between 1 and 16 bars.
It’s been just a little over a month since the release of the Max for Live MIDI-Effects Arp One and Chord Memorizer by Max for Cats. For all of you who purchased one or both of them, there’s now an
The Mk-iii a fully-featured modular drum machine built for Ableton Live and it’s best when played. Two completely independent Max for Live devices, a step sequencer and a sample playback module, make up the core of the Mk-iii drum. Both
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