With the Live 9 Suite you get Max for Live and with it, the Convolution Reverb. I think it’s a great addition, although personally I would love to see the Reverb improved to achieve better results when used on vocals
EaselWeasel 2 contains three fully macro mapped Instrument Racks for Ableton Live 9 Suite and up, ranging from mean bass to spaced out pad sounds.
Where’s the silence?
Prompts or constraints to foster creativity.
Ever had the need for very long, slowly fading delays? None of the delays in Live offers this possibility. Dela Long Delay is tempo synced with delay times from 1/4 notes to 16 bars. It’s free, and requires Live 9
You might be familiar with Nico Starke’s “ML-185 Stage Controlled Sequencer”. Now there’s an updated version of it available for free. The most notable change in the MK16-185 Sequencer are the 16 steps instead of 8, an often requested feature.
Limit yourself.
Prompts or constraints to foster creativity.
EaselWeasel 1 contains three fully macro mapped Instrument Racks for Ableton Live 9 and up: fat bass lines, spheres and melodies, brassy.
Salami Division by skinnerbox is for all of you who like slicing to MIDI, but would like more extensive features. The Max for Live MIDI effect adds things like sample-hotswap and a dynamic slice number. And if you use Push
Did you know that you can lock automation envelopes to the song position? This can be useful when you want to replace a clip in the arrangement, but retain the various automations in this part. Here’s how it works:
Alias Clips is a Max for Live device that brings the functionality of what are commonly called “alias clips, ghost clips, mirroring” etc. to Ableton Live. It can be a real timesaver when you’re working with plenty of small MIDI
We’ve all come across videos in which someone creates a track on the fly against the clock. First it was an hour, then increasingly less time. And quite frankly, most of them are more like sketches or demos, unfinished and
Look at the Spectrum.
Prompts or constraints to foster creativity.
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