Whitebox Synth Makers have made quite an impressive collection of free Max 4 Live Plug-ins. There’s a lot of synths, a sample player, an ambient and percussive instruments.
Suite 9 will come not only with Max for Live, but also with quite a lot of fantastic new Max for Live tools. To make things more thrilling, there’s a new video by Ableton showing those devices in action.
In the last part of the series “Programming in Max for Live” by Cycling ’74, we finally learn with the help of the Step Sequencer how to use the Live API in Max for Live devices, so that their parameters
We continue with the building of a synth in Part 7 of the series “Programming in Max for Live” by Cycling ’74. In the first video they show us how we can program a monophonic synth based on a loaded
Did you ever want the possibility to detach the Session View mixer in Live so you don’t have to toggle between the views anymore? Well, you can now, provided you also have Max for Live.
For all fans of Dubstep Part 6 of the series “Programming in Max for Live” by Cycling ’74 is likely to be particularly interesting. In the videos we learn how to program a Wobble Bass Synth. Starting with the oscillator,
LiveGrabber is a series of Max For Live plugins that can send information of device parameters, track parameters, clip envelopes and audio analysis of Ableton Live to any device on the network that supports Open Sound Control (OSC). With the
In Part 5 of the series “Programming in Max for Live” by Cycling ’74 it’s all about MIDI for the first time. In it we learn how to program a step sequencer that is synchronised with Live’s transport and sequenced
K-Devices, a French company developing Max For Live devices, has recently released Drumk 2. It’s the update of their Max For Live device that allows for glitchy beat-oriented sample manipulation. As the name suggests, you can manipulate drum loops with it,
Now that we’ve learned how to program a simple delay, Part 4 of the series “Programming in Max for Live” by Cycling ’74 takes it one step further. It shows us how we ourselves can build a dub delay along
In Part 3 of the series “Programming in Max for Live” by Cycling ’74, we learn from the effects that we have programmed ourselves in Part 2 how we can customise the user interface. The colour modification of all elements
After the introduction of the video series “Programming in Max for Live” by Cycling ’74, it goes straight to the point in Part 2. It shows how you can program three simple audio effects in Max for Live: an Audio
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