The latest update for Ableton Live was quietly released and it brings a host of improvements for Ableton Push. Things like Scales Layout settings being stored within a Live Set, but lots of small, but incredible workflow changes. It is now possible
The Fairlight CMI is legendary. So it wasn’t very surprising that the Ableton Live Simpler presets I made with all the sounds of the model CMI IIx made quite a splash. Back then I released them as 10 individual Live
Some of you may already be aware of Diego Stocco’s work for Spectrasonics, various scores and his own idiosyncratic compositions. Now he’s developed a Live Set called Color Bots with a new technique he calls Adaptive Tonal Processing. A combination
This music production tip is going to be a bit different from what you’d expect. This is less about how to make something sound good, but more about looking at a piece of music from a different perspective. And using
When I was asked about the different files types in Ableton Live in two consecutive Skype one-to-one sessions recently, I figured that it might be useful to write a tutorial about them. Because admittedly, there are quite a lot of
Max for Cats is generally known for his fantastic Max for Live devices. What many may not know is that he also has a passion for synths that borders on obsession. He indulges it with the new Ableton Live Pack,
A long time in the making, the redesign of Sonic Bloom is finally finished. It took me so long, because I was sick for a very long time, but also because a lot of things had to changed in the
I’ve got a Bontempi B3 electric organ from the 70s or 80s with 25 keys, a six-chord accompaniment and a traditional fan, giving it a slight Leslie effect. I sampled each key individually. Some are a bit out of key,
In the last few weeks, I’ve concentrated a lot on showing you different ways of enhancing your workflow in Ableton Live. This time, we’re looking at working with specific Live devices. Namely Operator, EQ Eight and Multiband Dynamics.
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