One of my favourite plug-ins when I was still producing on a Windows machine was dblue Glitch. Now the plug-in has been revamped and is also available for Mac OS X and even Linux. In 32- and 64-bit. It’s no
Maurizio Giri, co-author of “Electronic Music and Sound Design Theory and Practice with Max/MSP”, has quite a few Max for Live devices on his site Amazing Noises. Including the “Granular Stereo Faker”, a granular delay with different delays between right
Practically everything has music hidden inside. Don’t believe me? How about the sound of a file right out of the toolbox? The one I used is bendable and makes a cool bouncy boing sound which I closely microphoned and created
This tutorial in my series “Ableton Live Quick Tips” shows how you can save session view clips as a new Live Set. It’s quick, easy and useful when you want to save a part of your track/song to keep as
Transient are high amplitude, short sounds in waveforms, most notable in percussive sounds. The Max for Live audio effect “Transient Designer” lets you shape the transients of your audio signal by tweaking the parameters of attack and release.
I scoured the interwebz for some great free Ableton Live Packs as you never seem to get enough of those. This time I’m focusing on two big ones that give you plenty of sounds to work with.
I’m back with an “Ableton Live Quick Tips” tutorial that shows you two ways to create Scenes faster. Both come in handy e.g. when building a live performance set from scratch.
Whitebox Synth Makers has created a new ambient Max for Live instrument, the Pixiphone.
Here’s another free Live Pack created with samples from my sound library. This one contains a fully macro mapped Drum Rack with all kinds of sounds from elevators. It works in Live 8 and 9 and is good for creating
This tutorial of my series “Ableton Live Insider Tips” is an sequel to the previous one. This time we take it a step further by additionally mapping Transpose for even cooler glitch effects.
In a live performance situation you might want to see the play position of your session view clips to know when to start the next scene or clip. The track status in Live might be too small to use as
Here comes another tutorial in the ‘Ableton Live Insider Tips’ series. This time it’s about mapping clip parameters, its perks and the fun things you can with it together with beats, melodies and chords. This can be great for glitchy
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