TransPan – Transient Panning via Free Max for Live Device
Another simple yet effective free Max for Live device: TransPan, a transient-driven panner for quick, dynamic stereo movement when your mix feels flat.
August 5, 2016
Another simple yet effective free Max for Live device: TransPan, a transient-driven panner for quick, dynamic stereo movement when your mix feels flat.
If you have a boutique MIDI controller that doesn’t come with a MIDI remote script for Ableton Live or if you want to add your own quick access controls instead of using the available control surface, this meant mapping parameters
Karplus-Stronger, a new free Max for Live synth by Team Banzai, is, as the name already suggests, based on the Karplus-Strong algorithm. It allows a method of physical modelling synthesis that loops a short waveform through a filtered delay line
The latest beta of Ableton Live has just been released to all testers, version 9.7. And I can tell you, Push users are really getting spoiled lately. Live 9.6 just came out with plenty of great new features for Push
While most touch screen controllers for Ableton Live offer access via an independent device as a remote control, Yeco goes a different way. It’s about having the multi-touch control interface running on the same computer as Live with full ten
After a fairly long break due to ongoing health issues I’m back with regular posts about cool new Max for Live devices. A lot of them free. Autosputter by ldmdevices is one of them. It’s got a design more in
It’s been quite a while since I made these video tutorial about all the extra features you can unlock with the help of the Options.txt in Ableton Live. Back then they made a huge splash. You may already know them,
The latest update for Ableton Live was quietly released and it brings a host of improvements for Ableton Push. Things like Scales Layout settings being stored within a Live Set, but lots of small, but incredible workflow changes. It is now possible
The Fairlight CMI is legendary. So it wasn’t very surprising that the Ableton Live Simpler presets I made with all the sounds of the model CMI IIx made quite a splash. Back then I released them as 10 individual Live
Is it human enough?
Prompts or constraints to foster creativity.
Some of you may already be aware of Diego Stocco’s work for Spectrasonics, various scores and his own idiosyncratic compositions. Now he’s developed a Live Set called Color Bots with a new technique he calls Adaptive Tonal Processing. A combination
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