Ableton Live 9.2 Released
After being in beta for a long time, Ableton has finally released Live 9.2. The update comes with an extensive list of improvements and new features for both Live itself and also Push. Let’s have a look at the most
Xfade Bus System 2000 – Up To 8 Automatable Max for Live Crossfaders Per Set by Max for Cats For Free
Recently, someone asked about a crossfader that could be automated in clips and used for several submixes independently. Christian Kleine a.k.a. Max for Cats quickly whipped up the code and I took care of the interface. We thought this might
Simple Simon Sampler – Free Max for Live Sample Slice Player
Simple Simon Sampler is a Max for Live MIDI instrument that allows for a sample to be sliced into 8 pieces that can be triggered via MIDI at various speeds forwards or reversed. There’s also a button to randomise everything.
Oblique Strategies No. 34
Start differently.
Prompts or constraints to foster creativity.
Crap Cassette – Free Max for Live Effect for Old C90 Compact Cassette Emulation
SESDevices, the programmer of the Max for Live effect Crap Cassette, put it so well, let me just quote: “Emulating the sound of a good old C90 playing back on a less than perfect deck, Crap Cassette attempts to take
Ableton Live Quick Tips: Multisample Instrument Without Sampler
This tutorial is a tip for everyone who doesn’t have Sampler, but would like to create their own multisample MIDI instruments in Ableton. It’s a simple, but effective workaround I used myself for years.
Keypitcher – Free Max for Live Effect to Change Transposition with a MIDI Keyboard
This Max for Live effect isn’t brand new, but certainly worth mentioning. One thing you can easily do on drum machines, but not so much natively in Live is tuning individual drum sounds on the fly. This is where Keypitcher
Your Discarded Ideas Are a Treasure Trove
One of the things that is vitally important in music production is the ability to edit. To discard anything that doesn’t improve the song or track, regardless of how long you’ve spent on the part. The sounds or ideas might
Oblique Strategies No. 33
Do the first thing that pops into your head.
Prompts or constraints to foster creativity.
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