XY Send Nodes Circlepan – Free Max for Live Effect for Surround Sound or Send Automation
While this isn’t technically a new Max for Live effect, it’s a great example of people collaborating to make something even better. The original effect is part of the free Max for Live devices from Ableton and is meant to
Free Pianet M Live Pack (No. 52)
Until a couple of months ago, Christian Kleine a.k.a. Max for Cats had a Model M pianet from Hohner from the late 70s/early 80s, one of the best sounding ones around. With built in phaser, EQ and two 20 Watt
Oblique Strategies No. 31
Make use of the time stretching capabilities of Impulse.
Prompts or constraints to foster creativity.
LK – iOS and Android Controller for Ableton Live and other MIDI-capable Gear (Review)
LK, an iOS and Android controller app for Ableton Live, already came out in early March. Formerly known as LIVKONTROL by Imaginando, LK has gotten a complete overhaul. With version 1.0.4 out now, it has gotten another bunch of improvements
Three Great Free Visual Mixing Aids – Max for Live Oscilloscopes & Phase Correlation Meter
I don’t know about you, but I make good use of Live’s only visual mixing aid Spectrum. I always have one on the master. Here are three further visual mixing tools made with Max for Live that can be of
Ableton Live Quick Tips: Saving and Meaningfully Organising Presets in the User Library
While saving presets in the User Library might be an old hat for you, this tutorial could still serve as a reminder to actually do it. It always gives some helpful tips on ordering presets in the User Library, so
Oblique Strategies No. 30
Sound. Effects. Resample.
Prompts or constraints to foster creativity.
Free “Rock ‘n’ Stone” Live Pack (No. 51)
No, we’re not going back to the stone age. Yet, the “Rock ‘n’ Stone” Live Pack is based on various sounds of rocks and stones. It contains one fully macro-mapped Drum Rack, the pads filled with instances of Impulse. Made
Using Extremes for Better Mixing
Sometimes, especially when we’ve been working on a song or track for a long time, it can be hard to tell if a sound is too loud or too quiet in the mix. Or if an effect is too intense
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