Suite 9 will come not only with Max for Live, but also with quite a lot of fantastic new Max for Live tools. To make things more thrilling, there’s a new video by Ableton showing those devices in action.
Part 4 of the series “Ableton Live Insider Tips” explains how recorded automation curves can be changed in Live with the command ThinningAggressiveness in the Options.txt file.
TouchOSC is a modular user interface for OSC and MIDI control for iPhone, iPod Touch and iPad. It’s been my favourite app/MIDI controller in the last years because it is so versatile.*
Ableton has announced the release date for Live 9. After almost four years since Live 8 came out, the wait will finally be over.
In the last part of the series “Programming in Max for Live” by Cycling ’74, we finally learn with the help of the Step Sequencer how to use the Live API in Max for Live devices, so that their parameters
Part 3 of the series “Ableton Live insider tips” deals with two other commands that you can add to the Options.txt file that will make working with VST plugins much easier. Particularly the automation of their parameters.
Ableton didn’t have a booth at NAMM this year, but Dennis DeSantis gave some demos on Push at Akai’s. Here are some highlights:
Edit: Updated for Live 10/11, for which the skins were improved and are now called themes. I’ve created 6 new Ableton Live skins that you can download for free. In case, you don’t know how to install them, here are
A week ago I wrote about Eric Ameres’s Max for Live devices that allow detaching the Session View or its mixer and even individual devices. He’s been busy developing a standalone version for OS X that you can use with
Part 2 of my new series “Ableton Live Insider Tips” explains two more commands of the Options.txt file, EnableMapToSiblings and AutoAdjustMacroMappingRange. Both make mapping controls to macros in Racks faster and more efficient.
We continue with the building of a synth in Part 7 of the series “Programming in Max for Live” by Cycling ’74. In the first video they show us how we can program a monophonic synth based on a loaded
Last week in Berlin as part of the CTM Hacklab, Imogen Heap and team gave a talk on the musical gloves. They’re developing them for her performance with Ableton Live and, as she told me in our chat afterwards, for
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