Ableton Push’s white LEDs are infamous for being inconsistent in brightness. Recently Mark Triant shared his own seapunk colour scheme. If the colour combinations are a tad too candy store for you, you can easily create your own. Here’s how…
Last year in February, I’d reviewed Push Hacker version 1. A Max for Live device that allows you to – you would have never guessed it – hack the Ableton Push. This means you can create mappings that suit you
You probably already know that I like hacks and mods. Recently I was sent a MIDI remote script for Push 2’s User Mode, so I thought I’d compile an article with the available user hacks for Ableton Push to round things
Want to start Global Record from Ableton Push? How about touch-sensitive step sequencers? “Push Script Mods” by nativeKontrol offers that and a bit more. And it’s free.
A while ago I wrote about 5 Max for Live devices to further enhance the features of Ableton Push. Now there are two new ones that I find very useful: Push Color Picker and Push Midi Clip Transposer.
The Key Layouts on Ableton Push are great if you don’t know any music theory, but want to make sure you play in key. Now if you don’t have Push, but a Launchpad and Max for Live, then the Max
ResoTaps expands on Live’s Resonators concept by incorporating modulation, independent multi-tap delays, and MIDI-side-chaining for real-time resonator tuning.
Today Ableton have announced Live 11, to be released in early 2021. As a Certified Trainer I’ve had the opportunity to check out the beta and I will be making tutorials over the coming weeks. So let’s have a look
2 unique synths and a harmoniser for surprising sounds—each with filters, delay, reverb, and automatable XY pad control.
By now, most Sonic Bloom readers are probably aware that Christian Kleine aka Max for Cats has a soft spot for old analogue gear. Of course, this goes for all the flaws and shortcomings of these vintage machines as well.
I always keep an eye out for interesting new Max for Live devices. These four utility tools by Loptimist, who admits to being new to Max for Live development, only have one function each, but are very useful in their simplicity.
While most touch screen controllers for Ableton Live offer access via an independent device as a remote control, Yeco goes a different way. It’s about having the multi-touch control interface running on the same computer as Live with full ten
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